Show Me The Meaning! – A Wisecrack Movie Podcast: Eraserhead (Directed by David Lynch) – The Mood Is The Movie

Join Jared, Ryan, Austin, and Adam to discuss David Lynch’s Eraserhead! Subscribe to WisecrackPLUS Email us at Special Guest: Adam Kovic from the Filmhaus podcast – Follow Us! @wisecrack (Jared) @austin_hayden (Austin) @ryansgameshow (Ryan) @adamkovic (Adam) Other Wisecrack Podcasts! The Maze (Westworld): The Squanch (Rick and Morty): Respect Our Authoritah! (South Park): Thug Notes: Get Lit:

Source: Show Me The Meaning! – A Wisecrack Movie Podcast: Eraserhead (Directed by David Lynch) – The Mood Is The Movie

David Lynch finally admits “owls are not what they seem” was a direct reference to Temple University

In an interview this weekend, film director, musician, and painter David Lynch let it slip that the famously mysterious “the owls are not what they seem” proclamation from the second season of his 1990-91 hit series Twin Peaks was a deliberate reference to Temple University.

“Back when I was living on Aspen Street,” Lynch admits, “I used to look out our rear window at the lights from Temple a few blocks to the northeast. It seemed like another world, a place both wonderful and strange when compared to the sick, twisted, violent, fear-ridden, decadent, decaying neighborhood where Peggy and I lived at the time.”

It seems memories of that time were on his mind when he and Mark Frost were writing the Season 2 scripts, and the reference crept in almost without Lynch realizing it.

How David Lynch Stole Christmas !

How David Lynch Stole Christmas !

Child – I don't understand !David Lynch – That's the whole point !!

Posted by Lynchland – David Lynch Archivist on Tuesday, December 25, 2018

David Lynch Finally Releases Colorized Edition Of ‘Eraserhead’

LOS ANGELES—Emphasizing that the bright hues and striking tones would finally bring his vision to life, filmmaker David Lynch announced Wednesday that he had released a colorized edition of his seminal work, Eraserhead. “Sadly, when we shot Eraserhead, we did not have the technology to make this film the sensory overload of technicolor that it was always meant to be,” said Lynch, who lamented that his original storyboards for the film, which featured characters bathed in bright pinks and blinding yellows, had to be scrapped in favor of a grayscale color scheme “mired with dark shadows and grainy, distracting dark splotches.” “Would I have preferred to shoot the bleeding rotisserie chicken in a striking blood-red, like it was written? Or the sperm-shaped alien fetus in it’s glowing, rosey tones? Of course. Which is why today, Eraserhead, and my 1980 film The Elephant Man, will be filled in with over 4,000 shades of beautiful color.” Lynch also added that the new release would be re-cut to include a pivotal scene in which a doctor operates on Henry’s baby early on, allowing it to lead a normal life.

Source: David Lynch Finally Releases Colorized Edition Of ‘Eraserhead’