Call for Artists – A More Perfect Union: Celebrating the 50th Anniversary of Loving v. Virginia — Asian Arts Initiative

A MORE PERFECT UNION: CELEBRATING THE 50TH ANNIVERSARY OF LOVING V. VIRGINIA
A juried exhibition at Asian Arts Initiative
Curated by Dave Kyu
Exhibition: June 2 – August 25, 2017
Submission Deadline: Monday, April 24, 2017, 11:59PM

CURATORIAL STATEMENT
The election of Barack Obama was seen as a turning point of a society that had become “post-race,” or in other words, a society free from racial preference, discrimination, and prejudice. But this is not the world we live in. We live instead in a world that has leaned into race; into a political climate where understanding the intersectionality of race, gender, and identity are more important than ever.

We take this moment to celebrate the 50th anniversary of the Loving v. Virginia case, and the Supreme Court’s unanimous decision to invalidate laws prohibiting interracial marriage. This decision affirms that our fundamental civil rights cannot be denied based on the classifications of race. This decision is a celebration of an American system, that although often flawed, is capable of correcting injustice, in the pursuit of a more perfect Union.

A More Perfect Union invited artists of all disciplines to commemorate the 50th anniversary of Loving v. Virginia, to explore the themes of interracial marriage and relationships, but also the various aspects of interracial identity; an identity made possible in large part by this Supreme Court decision.

Said Mildred Loving, “That’s what Loving, and loving, are all about.”

ELIGIBILITY
We invite professional and emerging artists (including recent graduates of matriculated programs) working in any medium (visual artists, writers & poets, musicians, performers) to submit one (1) to three (3) original artworks that explore the themes of interracial marriage and relationships, and also the various aspects of interracial identity. Works will be selected by the curator for this juried exhibition that celebrates the 50th anniversary of the “Loving v. Virginia” Supreme Court decision.

ENTRIES
Entry forms must be complete and submitted online only. There is no entry fee.

All submissions must be received by Monday, April 24 at 11:59pm EST.

Please complete the Entry Form here: https://docs.google.com/a/asianartsinitiative.org/forms/d/e/1FAIpQLSdJIs2thsv86TOj_ELBeiuYrWjY6exIWxlovnPg-aTkdPkyOA/viewform

Please send additional images and artist resume to gallery@asianartsinitiative.org.

SUBMISSIONS
– Support material can include images of your artwork, Microsoft Word files, and/or a list of links to video/audio files.
– Images must be saved as JPG files at 72dpi and must be no larger than 2000 pixels in any direction.
– Each file name should correspond with the entry form. For example, Mildred Loving’s image should be titled “LovingM1 Untitled.” You may include up to 3 additional details of each work.
– Video and Audio files should not exceed 3 minutes (excerpts will be accepted) and should be uploaded to YouTube, Vimeo, or Soundcloud.

Please email gallery@asianartsinitiative.org with any questions.

Source: Call for Artists – A More Perfect Union: Celebrating the 50th Anniversary of Loving v. Virginia — Asian Arts Initiative

Matt Wellins/Sarah Halpern/Ian M. Fraser/Slow Tongued Beauty | Vox Populi

Matt Wellins, Live Homemade Electronics 7/31/10 from Matt Wellins on Vimeo.

Sunday, April 2 at 8:30 PM – 11 PM at Vox Populi: Matt Wellins / Sarah Halpern / Ian M. Fraser / Slow Tongued Beauty

Matt Wellins builds and performs with homemade electronic instruments, inspired by the materially contumacious practices of David Tudor and Michael Johnsen. This work aims to emphasize the particularities of electronic components, the snafus of live performance, and general ambivalence toward commercial equipment. It is designed to be perceived live, completely divorced from recording technology, and as such, relies on the acoustic qualities of the space, the frequency sensitivities of the house PA system, and the electrical wiring of the building.

Concurrently, Wellins fosters interests in the experimental loft theater of 1970s New York, early American shape-note singing, and magnetic recording for reasons not altogether unrelated from the above. Wellins has presented his work–most notably in collaboration with 16mm filmmaker Sarah Halpern–at venues such as Anthology Film Archives and EMPAC. Along with Johnsen, he maintains the Electronic Music Resource at Ubu.com.

https://soundcloud.com/mattwellins

SARAH HALPERN works with film, performance, sound, text and paper, addressing the difficulties in understanding oneself and other people. Her work questions conventional human relationships to vision, hearing, reading and communicating and has been presented at TheKitchen, Experimental Intermedia, The Museum of Moving Image, Anthology Film Archives, ((audience)) Sound Off, and Microscope Gallery, among others. She is a founding member of Optipus Film Group(with Lary 7, Bradley Eros and others) and has collaborated extensively with electronic musician Matt Wellins. Halpern lives and works in Queens, NY.

http://sarahhalpern.com/

Ian M. Fraser is a New York based computer musician, primarily focused on algorithmic composition, generative structures, and stochastic processes. With Reed Evan Rosenberg, he works with the development of Keroaän, a musical artificial intelligence designed to perform without any human intervention what-so-ever. In live performance, they combine live generative works with real-time visualizations, utilizing high-intensity strobe lights and lasers.

Slow Tongued Beauty

Slow Tongued Beauty is Ryan Scott Kerr; a producer of agonizing, minimalist noise which evokes a darkness comparable to that of the winter nights in Philadelphia.

https://soundcloud.com/lucid-subjugate

Matt Wellins/Sarah Halpern/Ian M. Fraser/Slow Tongued Beauty

Love in the Eraserhood | Between the beautiful weather, the … | Flickr

Love in the Eraserhood
Between the beautiful weather, the Backyard Barbecue at The Trestle Inn (featuring sidewalk burlesque by Bella Tricks), and the “Sweet Lovin'” Proposition Tent sponsored by Fringe Arts, Philadelphia’s post-industrial “Eraserhood” neighborhood was filled with light, love, and beauty this lovely July First Friday. — Luminance HDR 2.3.0 tonemapping parameters: Operator: Mantiuk08 Parameters: Luminance Level: Auto Color Saturation: 1 Contrast Enhancement: 1 —— PreGamma: 1