For the past 11 years, the Better Philadelphia Challenge has asked university students around the world to address real-world urban design issues in the city. This year, with the first phase of construction well underway, the competition fittingly focused on the abandoned City Branch rail tunnel under Pennsylvania Avenue, asking students to pitch their ideas to transform the space into a recreational and cultural amenity for Philly.
How do we curate history? What stories do we tell? How do we discuss challenging topics or display controversial images without alienating our visitors?
Join Museum Council for a panel discussion with three local curators, who will speak about some of the difficult choices museums and curators make when developing exhibits about historic and current events.
Pennsylvania Academy of the Fine Arts
Historic Landmark Building, Hamilton Auditorium
118 N. Broad Street
Wednesday, March 8, 6:00 – 8:30pm
$5 for members | $10 non-members
**registration includes museum admission and light refreshments
Panelists:
Elizabeth Tinker—For 2 decades, Elizabeth Tinker has been creating exhibitions and performing audience evaluations by using a creative, inclusive, and sometimes provocative approach to projects. Most recently, she worked on the history and social justice exhibition, Waging Peace: 100 Years of Action, at the African American Museum in Philadelphia.
Mark A. Castro—Mark began his career at the Philadelphia Museum of Art in 2005 and has curated several exhibitions, most recently acting as one of the four curators for Paint the Revolution: Mexican Modernism, 1910-1950. He is also a doctoral candidate at Bryn Mawr College, where he is completing his dissertation on a series of paintings by the Baroque artist Cristóbal de Villalpando.
Kelli Morgan—Recently named the inaugural recipient of The Winston & Carolyn Lowe Curatorial Fellowship for Diversity in the Fine Arts at the Pennsylvania Academy of the Fine Arts, Kelli Morgan is a very diligent scholar whose career is committed to creating stimulating and culturally sensitive educational opportunities for students and public audiences alike through innovative uses of minority-produced visual culture and the museum gallery. Her interdisciplinary research concentrates on African American visual culture, linking Art History, Women’s Studies, African American History, and Museum Studies to examine the ways in which people construct visual discourses, conceptualize images, and sometimes resist these discourses.
We use cookies to optimize our website and our service.
Functional cookies
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.