(via The Beat on Brat)
“I lost the best actress award to Lynn Redgrave, which isawesome!” says Madi Distefano, of her 2004 Barrymore Award nomination for Popsicle’s Departure, 1989. That show was also nominated for outstanding new play at that year’s Barrymores, but got even greater plaudits when it moved to the Edinburgh Fringe: best solo show.
Madi, the founder and artistic director of Brat Productions, described her one-woman show better than I ever could, when we spoke last week: ” Popsicle Departure 1989 is a tall tale shaggy dog monologue about a 19-year-old punk rock chick who lives in a warehouse and has a lame temp job and a crystal meth problem. Her boyfriend is a slacker guitarist South Boston boy. It goes back and forth between the two of them and they’re headed towards collision; she’s planning something, he’s planning something else, and a train wreck kind of thing ensues.”
“It’s beautiful,” says Jess Conda, who’s stage-managed numerous productions of the show. “I’ve done that show with Madi at least five or six times—all the Philly mounts, a run in New York City, the run in Edinburgh that won all the awards, and a run with her in Glascow. I probably have it memorized too.”
Jess, who is now the assistant artistic director of Brat, will be a bit distracted from Madi’s remount ofPopsicle at this year’s Philly Fringe. Paired with Popsicle is Jess’s first original show, Eternal Glamnation, and together, they are known as Brat RockPile. Previews done, they take the stage in full RAWK mode tomorrow, and for he rest of Philly Fringe. Be forewarned: the RockPile description reads, “CAUTION: THESE SHOWS FEATURE SEX, DRUGS, FLESH, STROBE LIGHTS, LOUD ROCK, PROFANITY, AND ALIEN ABDUCTIONS.” And so it goes in the Eraserhood.
Brat RockPile: Popsicle’s Departure, 1989 & Eternal Glamnation continues its run September 17, 19-22, 25 and 26 at Underground Arts, 1200 Callowhill Street. Times vary, $15 to $35 for both shows.