Sunday, November 19 at 11 AM – 1 PM
Vacant lot at 13th & Wood Sts.When David Lynch moved to Philadelphia in the late 1960s to attend PAFA, he discovered a city that was both terrifying and inspiring. Explore the neighborhood that so electrified Lynch’s imagination in the company of two tour guides: Hidden City’s Peter Woodall and Lynch aficionado Bob Bruhin. During this one-and-a-half hour walking tour, we’ll delve into the neighborhood’s pre- and post-Lynch history, as well as the sights and sounds that inspired Lynch’s movies, particularly Eraserhead.
28 Likes, 3 Comments – Bill Meagher (@mcthrill13) on Instagram: “Dollface #streetart #urbanart #art #doll #flower #eraserhood #aye”
David Lynch’s festival, now in its second year, brought films, speakers and live music to the Theatre at Ace Hotel.
Get tickets to Comeback Kid at Underground Arts, Philadelphia, PA on 10/18/17
Wild at Heart interactive black light lamp, one of three works in progress on display at Philamoca for 6th annual Eraserhood show. One already sold! #gregchristie #blacklight #philadelphia #lynch #davidlynch #eraserhead #eraserhood #moca #philamoca #dayglo #twinpeaks #lauradern #niccage #philly #springarts #wildatheart #sailor #sailorandlula
Clock DVA are one of the pre eminent pioneers of late 70’s/80’s experimental music along side and in collaborative association with Throbbing Gristle and Cabaret Voltaire. As one of the founder members of The Future, which evolved into The Human League, Adi Newton began his life long involvement with sound via painting and through a theatre project which began his involvement with sound, he founded Clock DVA and TAGC/The Anti Group in 1978.
Clock DVA’s acclaimed albums include the 1988 album “Buried Dreams” (Considered by many as an electronic masterpiece) and the 1980 electro-acoustic album “Thirst” released on the cult label Fetish. Considered by Paul Morley in his NME Album review as one of the Best Debut Albums of the 1980’s, it sat alongside Joy Division’s “Unknown Pleasures” and The Fall’s “Dragnet”. Clock DVA continue to present and release new music and perform critically acclaimed audio visual works and performances through out Europe and the USA.
Newton also Directs TAG/The Anti Group an independent multi-media research & development project active in many related areas. Strictly speaking TAG are not a group, but a variable collection of individuals contributing under invitation and the directorship of Adi Newton. Genre-breaking works include the ambisonic album “Digitaria” 1986 and Test Tones, a series of pioneering albums, produced in 1985/6 which have had lasting impact on the development of extreme forms of electronic music.
Newton has also been involved in numerous art museum presentations and performances, including the prestigious ARS Electronica Linz,The V & A London and Art Futura Museo Nacional Centro De Arte Reina Sophia Madrid. He has recently returned to painting and intends to explore and develop his multi discipline practice into the art and painting arena with sound and visual installations while still remaining very active within the DVA/TAGC projects. Throughout all these, Newton directs all projects as well as the multi media production company ARMComm/Anterior Research Media Communications.
“Adi Newton has long since described the process of making music as his research. It represents a more thoughtful and reflective body of work than that which dominates his peer group. In particular, Newton’s grasp of the philosophical connotations of technology placed him apart from the majority of its practitioners.” – NME
Void Vision is a Philadelphia-based electronic project helmed by Shari Vari. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack.
In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.
The infamous Wierd Records weekly club night in New York, which showcased a variety of talented electronic and coldwave artists, served as an incubator for Void Vision in it’s early stages.
After a standout debut performance at the club, they immediately caught the attention of Blind Prophet Records, who consequently released their first 7″ single, ‘In 20 Years’, which received excellent reviews.
Vari has continued performing and recording steadily over the last few years, releasing songs on compilations for various labels, including Rough Trade, and in 2012 the song ‘Everything is Fine’ was selected for Artforum magazine’s ‘Best of 2012′ issue. In 2013, Void Vision toured the West Coast and later that year released a split 12″ with Portland-based band, Vice Device.
The first official full-length album, entitled ‘Sub Rosa’ is set to debut on Berlin-based Mannequin Records, followed by a European tour in 2015.
Shari Vari formed Void Vision in 2009 originally as a duo, during the explosion of the new minimal synth and cold wave scene in United States. Sharing the same scene of the Wierd Records associates like Led Er Est, Martial Canterel, Xeno & Oaklander, Automelodi, in 2010 VV released ‘In Twenty Years’ on Blind Prophet (Sean Ragon’s Cult Of Youth record label), receiving also the attention of the Rough Trade dudes, who asked to put out a track for one of their synth wave compilations. After other split vinyls, tapes and compilations, Mannequin approached Shari with the intention to continue what Wierd Records started, giving a proper shape to her beautiful and youthful dark electronic sound. The result is 10 hypnotic cold analog tracks dominated by the warm and fragile Shari’s voice, some more “pop orientated” some others belonging to the original “cold wave” atmosphere.
Electronic-based solo project from the Dead Milkmen frontman.