Panorama 2447_blended_fused_pregamma_1_fattal_alpha_1_beta_0.9_saturation_1_noiseredux_0_fftsolver_1 | Flickr – Photo Sharing!
1200 Block of Carlton Street
Philadelphia, PA
Copyright © 2014, Bob Bruhin. All rights reserved.
(prints via ehood.us/1G4yvN0)
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Luminance HDR 2.3.0 tonemapping parameters:
Operator: Fattal
Parameters:
Alpha: 1
Beta: 0.9
Color Saturation: 1
Noise Reduction: 0
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PreGamma: 1
Tracing the Eraserhead Esthetic: Kafka, Franz – “Metamorphosis ”
Panorama 2446_blended_fused_pregamma_1_mantiuk06_contrast_mapping_0.1_saturation_factor_0.8_detail_factor_1 | Flickr – Photo Sharing!
Goldtex Building
1174 Carlton St
Philadelphia, PA
Copyright © 2014, Bob Bruhin. All rights reserved.
(prints via ehood.us/1DpvanR)
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Luminance HDR 2.3.0 tonemapping parameters:
Operator: Mantiuk06
Parameters:
Contrast Mapping factor: 0.1
Saturation Factor: 0.8
Detail Factor: 1
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PreGamma: 1
Tracing the Eraserhead Esthetic: Still from “I Vitelloni” (Fellini, Federico, 1953)
Panorama 2445_blended_fused_pregamma_1_mantiuk06_contrast_mapping_0.1_saturation_factor_0.8_detail_factor_1 | Flickr – Photo Sharing!
Reading Viaduct
11th and Carlton Streets
Philadelphia, PA
Copyright © 2014, Bob Bruhin. All rights reserved.
bob-bruhin.com/
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Luminance HDR 2.3.0 tonemapping parameters:
Operator: Mantiuk06
Parameters:
Contrast Mapping factor: 0.1
Saturation Factor: 0.8
Detail Factor: 1
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PreGamma: 1
Tracing the Eraserhead Esthetic: Still from “Lolita” (Kubric, Stanley, 1962)
Panorama 2444_blended_fused_pregamma_1_fattal_alpha_1_beta_0.9_saturation_1_noiseredux_0_fftsolver_1 small | Flickr – Photo Sharing!
11th and Pearl Streets
Philadelphia, PA
Copyright © 2014, Bob Bruhin. All rights reserved.
(prints via ehood.us/1OyPuIo)
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Luminance HDR 2.3.0 tonemapping parameters:
Operator: Fattal
Parameters:
Alpha: 1
Beta: 0.9
Color Saturation: 1
Noise Reduction: 0
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PreGamma: 1
Tracing the Eraserhead Esthetic: Still from Sunset Boulevard (Wilder.B, 1950), Scene at 00:02:28
Philly Bricks: Hope for the Divine Lorraine…again
With the exception of Carl Dranoff and Liberty Property Trust, a lot of Philadelphia’s construction is taking place thanks to developers from elsewhere. It makes more sense, then, that Eric Blumenfeld’s Divine Lorraine might finally happen. I’ve said that before. Who hasn’t? But Blumenfeld’s Divine Lorraine is being bankrolled by a developer versed in Manhattan-ease who just so happens to love the Divine Ms. L more than a kid at his first Chuck-e-Cheese birthday party.